On the verge of a nervous breakdown, Maxwell meets a talking sloth in his dreams and becomes obsessed with saving the animal's habitat in his waking life by returning to his first passion of music.

Sean O'Malley, a struggling Irish musician, writes an album for the love of his life in an attempt to redeem himself, with the help and hindrance of his misfit band mates.

Mary Scott learns she only has ten months to live before dying of an incurable disease. She manages to keep the news from her husband, Brad and daughter, Polly. She tries to make every moment of her life count, but her effort is weakened by the discovery that Brad is interested in his assistant, Chris Radner. But when she learns that Brad does indeed love her and not Chris, and that Chris is leaving town, she realizes what she must do to ensure the future happiness of Brad and Polly. She persuades Chris to stay, makes a genuine friend of her and watches Polly grow towards Chris.

When a disillusioned, queer hitman accepts a contract with no clear target, he stumbles into a surreal spiral of mistaken identities, chaotic murders, and bizarre detours—including an impromptu drag show, a karaoke shootout, and a deeply symbolic banana. As the bodies pile up and reality begins to fray, he's forced to confront the fragmented parts of himself—gender, guilt, memory, and purpose—all while dodging corrupt cops, philosophical assassins, and a cult that worships breakfast fruit. 7 Kills, 3 Songs & a Banana blends gritty crime with absurdist comedy and raw LGBT+ themes, delivering a wild ride that’s equal parts Tarantino, Lynch, and queer theatre. With every song and kill, the line between performance and truth blurs. Is this redemption, revenge, or just another bloody joke? One thing’s certain: you’ve never seen a banana used like this before.

Music elates, touches the soul and bypasses reason. Music is magic. But precisely this magic can turn it into an insidious weapon for music and violence belong together. The brutal power of African war dances, the ferocity of Maori Hakas, the earth-shattering roar of US sound guns blasting Metallica at Taliban hideouts the principle is always the same: Aggressive sounds demoralise the enemy and whip the allies into a frenzy. In Songs of War, director Tristan Chytroschek explores the extraordinary harmony between music and violence. Sesame Street composer, Christopher Cerf, always wanted his music to be fun and entertaining. But then he learned that his songs had been used to torture prisoners in Guantanamo and Abu Ghraib. He is stunned by this abuse of his work and wants to find out how this could happen.

Immortal Songs: Singing the Legend (Hangul: 불후의 명곡: 전설을 노래하다; RR: Bulhu-ui Myeong-gok: Jeonseoreul Noraehada), also known as Immortal Songs 2 (Hangul: 불후의 명곡 2), is a South Korean television music competition program presented by Shin Dong-yup.[1] It is a revival of Immortal Songs (2007–2009), and features idol singers performing songs of legendary singers. The singers perform in front of an audience who vote for who they believe best presented the classic songs.[2] The program began airing in 2011 as part of Saturday Freedom and has been a separate program since April 2012.

Autumn 1944. Yellow star, ghettos, Arrow Cross terror. The inhabitants of Hungary's capital, Budapest, await the tragic fulfilment of their fate with helpless resignation. However, above one of the city's villas, once a week in the evening the stars of hope sparkle, if only for a few minutes. This short time gives fresh heart to those hiding here and kindles hope in their tortured souls to live for another day. This mysterious power is none other than a beautiful song that can be heard at such times from the villa's tower room.

Challenged to compose 100 songs before he can marry the girl he loves, a tortured but passionate singer-songwriter embarks on a poignant musical journey.